Projects and How They Can Help!

Something to celebrate!

 I don't think I have written a blog about this subject before, and if I have, I sincerely apologise for repeating myself. The new year has begun and it is always at this time that people make resolutions - about their lives, about their photography, about anything and everything. I already posted a list of my resolutions, and you can breathe a sigh of relief that I'm not going to be talking about that today. But what I am going to be talking about is projects.

Whether you are a beginner having bought your first camera, a professional doing shoots for a profit or just someone who is on a big trip and wanting to document every moment of it, projects are your friend. As a beginner, projects help you to get to know your camera for its strengths and weaknesses and learn how to use them to your advantage. As a professional, projects can help you remember why it is that you chose photography in the first place - being on scene all day every day and dealing with difficult clients and stressful situations can often make you forget. And as a traveler, a project can help you capture the new places that you are experiencing and can help you capture them in such a way that you can look back at those photographs years later and remember a moment. Sure, other people may look at them and be like "What the hell is that?" But you will know and remember why it was that you took that specific photograph and the feeling that you felt at the time will be returned to you.

You don't have to have a good camera to do a project. You can use your point and shoot, your DSLR or even your cellphone camera if you like. But the point is that taking photos on a daily or weekly basis, taking photos according to topics that are set out in advance, can help photographers of any level with their photography.

The kind of project that you end up doing is up to you. You might want to start following a blog like the Digital Photography School and taking part in their weekly challenges. Posting a photo each week to match their challenge could be the project that you set for yourself. Some people like to do a 52 challenge - a photo a week for a year. That way they are not bound to bringing their fancy camera with them wherever they go and they have time in between to continue with their everyday lives. Others like to do a 365 challenge - a photo a day for a year. This can be the most challenging or the most relaxed of the projects depending on how you look at it. No one expects you to take amazing photos or to have amazing photo opportunities every day. It almost seems like quantity over quality. And you could see it that way. Or you could see it as a chance to look around you and take more interesting photographs. If you don't think that you have the stamina to last a full 365 and feel like 52 is a little too lax, you may want to try a 31 challenge - taking a photo a day for a month. Whatever you do though, do try to challenge yourself. Try not to become too comfortable with your camera. And by that I do not mean becoming comfortable as in knowing how to use it. What I mean is that you shouldn't become comfortable with it as a fixture in your home that never gets used. Take it out, play with it, experiment and see what comes out!

I tried to do a 365 project before and got to day 203 before failing. There were a number of reasons for this, but I am back and ready to try again. You can find the photos from it here. I figured that the new year was the best time to start. After all, it's a new year with new opportunities and I hope to be there to take advantage of them.

HAPPY NEW YEAR!

Spring Fever

Earlier this week, I came home from work in a not-so-great mood. You know that saying: "The definition of insanity is doing the same thing over and over again expecting to get different results"? Yeah. That was me. Anyway, I came home from work feeling more than a little down, and opened my car door, and something wafted in with the breeze. Something that lifted my spirits completely. Something that made not only my day, but my week. Do you know what that something was? Jasmine. The epitome of Spring. And it is certainly here. So this afternoon, when I came home from work, I decided to go hunting for the source of the wondrous scent. And sadly, I did not find it. But I did manage to get some great pics of the Spring flowers in my garden while I was searching, so I thought that I would share some of them :)














To make this a little more educational and not so focussed on just my gloating about the weather taking an upturn when most of my Northern-hemisphere friends are about to take a turn for the worse, I thought that I would explain how I go about taking flower shots












I like to get up close and personal when shooting flowers. I like to be able to see the details on the leaves, to see the curves of the petals and the interesting shapes that they make. I like the asymmetry of the placement and I like to take from interesting angles. I tried to shoot with a number of different lenses today, actually trying every single one in my bag to see which I liked most. I think that I ended up liking my 50mm and my 28-80mm most actually, my two first lenses. I found that the 50mm was a good length to shoot at, while my 28-80 allowed me to get a little closer when need be. Sunset is, of course, a good time to be shooting since it casts good light over the flowers, even when you are hidden from most of the sunlight by a on one side, a house on the other and a giant fence on a third, all of which are trying to block your light.












In any case, it's not all about me. Let me know what you think!!

*Edit: The pictures are coming up funny in the blog post. I don't have time to fix it right now, but will try to have it fixed tomorrow.

Mentoring

Everyone needs a role model - someone to look up to, to admire and to aspire towards. For some people these role models are celebrities, for others they are close family members. As photographers we should really have some of both. We should follow the work of famed photographers and see how it is done. However, to really see how photographers work, you need to follow one closely - closer than you could follow a famous photographer from halfway across the world. You need someone to go to shoots with, to watch in action, to get advice from in a close and personal rather than an informal way. What you need, I would say, is a mentor.

Please note that this is all based on my own ideas and opinions, and there is no guarantee that any of it will work. Please also note that this is not the way to go about finding an apprenticeship or becoming an assistant to a photographer. This is merely to find a mentor who you can turn to when you have questions and who you can learn from. Finding

I have had two kinds of "mentors". One was a friend, and I use this term broadly since we only met once and do not know each other particularly well, who I met in Korea. He was studying photography at the time and was as close to an expert as I could find. Whenever I had a question, I turned to him, and he was happy to help. But I do not consider our relationship to be close and personal and I was never able to follow him on the job, so I do not consider him to be one of my serious mentors. I merely think that he helped me stand on my own two feet and get my photography off the ground.

I met my second mentor by pure coincidence. A friend had asked me to take some shots at an event that the University was holding, and they had asked him to take some videos. Paul Mills is a professional cameraman, and has been one for most of his life. Though he is now technically retired, he still takes on projects on the side, and in his spare time he does photography with his Canon 7D. He bumped into me early in the morning and we got onto discussing cameras and lenses, and he let me borrow one of his. From then on a friendship was formed based on photography, and this friendship quickly grew into a mentorship as he began to offer me advice, to let me borrow and test lenses, to critique my photos when asked and to be there for me, night and day, whenever I had a question that needed answering. Paul Mills has become my photography hero!

Finding your own photography hero may not be quite as easy. I found mine by pure coincidence, but it often takes a lot of work and a lot of putting yourself out there and taking the chance of being turned down. Many photographers do not have the time or the patience to take on mentoring or apprenticeships, while others may appreciate the attention or find it flattering, particularly if they are on the cusp of professionalism themselves.

I would recommend attending photography workshops or classes and starting to associate yourself with photographers. Photographers who are involved in these kinds of workshops usually do so because they enjoy teaching and helping others with their photography. It will immediately put you in touch with photographers who you know want to help, and could become possible mentors. Become a part of your local community and make it obvious that you are a beginner photographer who has questions and is willing to listen to constructive criticism.

In terms of approaching the photographers themselves, I would recommend approaching them on a one-to-one basis, being friendly and open and starting out slowly. Do not immediately jump in and say "I want you to mentor me." Do this and you are unlikely to find many photographers jumping at the opportunity. Think about the friendships that you have formed in the past. Did you jump in upon meeting the person and say "I want to be your friend." Of course not. You got to know each other first and the friendship developed because you discovered things that you have in common. In terms of looking for a mentor, you already know that you have one thing in common - photography - but you need to test the waters first, make sure that your personalities are compatible. I can imagine nothing worse than ending up with a mentor with a short temper, or one who I butt heads with when it comes to what we look for when we take photographs. You need to find someone you get along with. Ask if you could perhaps discuss photography over a cup of coffee, on you. That way you will get to know each other and see if it is a good fit before jumping into the deep end and ending up with a mentor that you do not respect or appreciate, or who does not respect or appreciate you.

I would also highly recommend building a portfolio before you approach anyone, as a number of photographers will expect you to have one. Even if it isn't expected, it looks a lot more professional to approach a photographer with something to show them rather than approaching them with just a question or idea in mind. Imagine having someone who doesn't know you walk up to you and say "I need help with my photography. Can you help?" Sure, you can help. But what is it that they need help with? Is it their technique? Is it their eye? Is it merely that they need to gain some experience and confidence? You can't tell unless they give you something to work with.

Building your portfolio is going to be the subject of my next post, so please check back later in the week to learn more on how to go about building a professional portfolio.

Starting out

I have been reading a lot of photography blogs, as usual, and started thinking to myself today that this blog is not what I want it to be anymore.

I started the blog as a way to post the pictures from my 365 day challenge, and when the challenge started failing earlier this year, the blog ended up becoming a sideline and more of a place to post the photo shoots that I have been doing. While that is great and I am happy to continue using this blog to post the photos from my shoots, I also think that there should be more to it.

I don't just want to have a blog that I post to once a month or once in awhile. I want this to be a photography blog - not just in terms of posting my own photography, but in terms of helping other people along with their photography. Since it is something that I am passionate about, and writing is something that I am passionate about, I want to join the two together to form a blog that other photographers would enjoy, not just the people whose photos I shoot. And so, I have decided that I am going to start writing articles about photography, starting from today. To ease into the transition from photographer to photo blogger, I want to discuss a subject that can be easily understood by looking at this blog from it's conception to this point.

When you are starting out as a photographer, people are going to give you a lot of advice, and that advice will vary from photographer to photographer, from blog to blog. But there is one piece of advice that always stays the same regardless of who you talk to - you need to get to know your camera.

Let me explain a little what I mean here. You can read your camera's manual inside and out, you can read every blog in existence, but if you have not picked up your camera and played around with it, I don't think you can say that you know your camera. While you know about the technical details of how your camera works, while you know the theory, there is a vital aspect missing from your knowledge of your camera, and that is experience. I would say the same thing for people who pick up their camera from the get-go and shoot in automatic mode for months, not reading a blog, not picking up a book, not even looking at the settings that are being used when a photograph is taken. There needs to be a good medium of theory and practice. If you only have the theory, you are going to be lacking in experience. If you only have the practice, you are going to be lacking in knowledge.

So what should you do as a beginner photographer? First of all, I would highly recommend at least flipping through your manual. It will tell you some of the aspects about your camera that will be finicky to learn, even through experience. I speak from experience here. When I first got my Canon EOS 550D, I had very little idea about what the various buttons did. I had played around with a Canon before, but never this model and there were a number of new buttons that made no sense to me. I automatically turned to manual mode and tried to change the aperture. I couldn't. I turned the dial that I had turned on the previous Canons that I had used, I pushed buttons and nothing happened. This is where my manual came in handy. I would never have guessed that the little button that looked like a magnifying glass could be used to switch between settings, allowing me to change them one at a time. Different models have different buttons, different methods and different features. Looking over your manual will at least tell you what some of these features are and how to use them.

While you are reading through your manual, I would highly recommend picking up your camera and testing out the settings that you are reading about. Reading is one thing, practicing is another. Sometimes you need to try your hand at something to completely understand it. Once again, understanding the theory of how it works does not mean that it will come across in your photography. Test your camera out.

Next, I would highly recommend finding some blogs to subscribe to. There is a wealth of knowledge available online from experienced photographers, and a number of people going through the same thing that you are. You can learn from both the experienced and the experiencing. It can help having someone to chat to about the problems that you are experiencing, particularly when that someone has experienced the same problem in the past. At the bottom of this post you can find a list of the photography blogs that I have subscribed to. Make sure that you find one that speaks to you. I subscribed to a large number of photography blogs at the start that either never posted anything of use (or never posted at all), posted articles that were far too advanced for my level of photography, or posted blogs that made me want to fall asleep. Everyone has their own personalities, and you need to find a blog that suits yours. I would also highly recommend looking at other people's photography. By doing this, you accustom yourself to good photography and you will find pictures that will inspire you to greater heights in your own photography.

Finally, I recommend taking up a project. For me, it was a 365 project - a photo a day for a year. This meant that, even when I didn't particularly want to, I felt that I had to pick up my camera and take a photo. I learned a lot this way. For example, I learned how to take photos in a number of different lighting situations - how to juggle shutter speed, aperture and ISO, when to use my flash and when not to, how best to use the light sources that I had. I look back on some of the photos that I took in the beginning that I thought were great at the time, and cringe now and all the mistakes that were made. But I also know that my mistakes back then influenced the photography that I do now. Now, I am not saying that everyone should take up a 365 day project, but I do think that you should set yourself projects and goals, even if it is trying to take a photo a day for a week, or a photo a week for a month, or trying to take pictures related to a particular theme or a particular feature that your camera has. But essentially, I highly recommend that you pick up your camera as often as possible and practice as much as you can using the different functions that your camera has so that, after a few months, you will no longer need to think about the settings that you use - they will just come naturally.

As promised, some of the blogs that I follow. I use Google Reader to follow my blogs, as I find that it allows for a great reading platform and means that I am integrating my photography blogs in with my friends blogs, my news blogs and my humour blogs. Please note that the links below are to the RSS Feeds for the sites. This means that if you use Google Reader, adding them to your reader will automatically let you follow their posts.

Beyond Megapixels is a photography blog that is run by Tiffany Joyce and Steve Russell and occasionally features guest writers on a variety of subjects. I find it useful as Tiffany and Steve cover a large range of topics and often have differing opinions on how things should be done, which makes for both interesting and educational reading.

Digital Photography School is a school run by Darren Rowse mainly, but featuring a large number of guest contributor posts on a range of subjects, camera and lens reviews by a number of experts in the field and challenges and competitions that can be both challenging and educational when you are starting out and just plain fun once you have got the hang of things.

Photofocus is entirely run by Scott Bourne, who has a wealth of knowledge that he is ready to dole out. He is an expert and well known in his field, and does occasional giveaways. While these are usually not open to South African readers, as the prizes need to be delivered to an address in the States, I personally would not mind paying for the shipping and customs tax to have a brand new Canon 7D sent from my Aunt in the States to here.

Through the Lens of Kimberly Gauthier is a blog written by an amateur photographer that I have recently started following. She has a number of insights into starting your own photography business and her blogs are both easy to read and fairly entertaining. While it is extremely handy learning from the experts in the field, sometimes you want to hear form someone a little more on your level, and Kimberly is great in that way. She takes great photos and can share the ups and downs that she has experienced in trying to get her feet off the ground as a photographer.

What the Duck is just a fun comic that I recently stumbled across and absolutely love. LOVE! Very cute, very witty, very funny and often very true.