What's In The Bag??

I read a blog post today by one of the bloggers that I follow, and it was about what he carries in his camera bag. It was a long list, and it definitely got me thinking about things that I'd like to have, but also about what I have in my own camera bag, so I thought I would go ahead and give a little breakdown to show what I carry around with me. All photographs, by the way (with the exception of my business card), courtesy of Google searches for the products being described and none of which were taken by me I am sorry to say.

First of all, when talking about what I have in my camera bag, I suppose I should start off by talking about the bag itself. Until recently I have been carrying my gear in the stock standard Canon bag that came with my lens, which managed to fit my camera, the flash that I have been borrowing and three lenses (one on camera) at a squeeze. On my recent trip to Cape Town, my Dad offered to let me take his older Lowepro EX 180, and it has proven to be the best bag for me (for the moment anyway). It comfortably fits my camera, four lenses, the flash and all of the extra bits and bobs like batteries, charger, cable release, business cards and more. I have yet to find myself short on space, and it is barely larger than the bag I was using before and infinitely more comfortable. I am sure that in the years to come, I will be looking at getting something bigger, but for where I am now it is a perfect fit for me.

Next I'd better talk about the camera itself. I only have one DSLR that I carry with me everywhere, and that is my Canon Kiss X4, also known as the Rebel T2i and the 550D. It is a pretty mid-range, beginner DSLR, and it is the camera that introduced me to photography. I bought it back in 2010 while I was in Korea, and it has grown on me to the extent where I never want to put it down. It is one of the loves of my life, along with Grant and Puddims, and though there are better cameras out there, I am not looking at getting a new one anytime soon. My Kiss X4 is my baby for now.

On to the lenses! First of all, the lens that I use most often is my Canon EF 24-85mm f/3.5-4.5 USM zoom lens. It is a lens that was given to me by a good friend of mine in Grahamstown (or someone that I consider to be a good friend, though he may think of me as more of a leach on his talent), Mr. Paul Mills. The lens itself is not in top notch condition, the reason he gave it to me being that it fell at some point, breaking the manual focus ring. It still works, but with difficulty, and I have managed to master it in my own way to make it work for me. It has replaced my original 28-80mm lens, and I have never really looked back.

One of my favourite lenses is my Canon EF 50mm 1.8 ii Prime lens which I bought while I was in Korea. I was a little silly when I got it, because I should have splurged the extra cash and bought it new, but instead I chose to get it second hand, and over time the lens itself has started to give me problems. But that does not stop it from being one of the most fun lenses that I own, and one that I use to give me a new perspective on life. It is wonderful in low-light situations and a lot of fun to play with, a good reminder that feet are the best zoom that a person can have.

My new baby (when it comes to lenses) is the birthday present that my parents got me this year, which is my Sigma 10-20mm f/4.0-5.6 Wide Angle which I am looking forward to having lots of adventures with! A wide angle has been one of my wishes for so long that it feels as though a world of possibilities has opened up before me, and I can't wait to take a nice long trip just so that I can test it out the way that it should be tested, on the open road.

My fourth lens, and the one used least often these days, is my Sigma 70-300mm f/4-5.6 Telephoto lens... although technically I can't call it mine since it is still on indefinite loan from my father. This is the joy of having a dad who understands photography and the costs of starting out - lenses on loan. Though I do find this lens to be good for a bit of Macro photography, I don't get a chance to use it often considering that I take portraits for the most part. And though a telephoto can give you the advantage of being able to take photographs from a distance, giving your subject the space that can so often let them be more themselves, I find that I haven't had a chance to use it in my photo shoots... yet. I still carry it with me should the need arise, and I look forward to the day when it will come in handy to capture that perfect moment from a distance.

To add a little spice and a little fun to my lens collection, while I was in Korea, I bought a set of extension rings to add to my collection. Though I don't use them nearly as often as I used to, with it being so much easier to flick the switch to Macro on my telephoto lens than dismantling the rings and changing, taking off and putting lenses onto the rings, I still find them a lot of fun to play around with and I've written a few blogs about them. I still carry them in my bag because, as I found out at a wedding last year, they can definitely come in handy.

With the lenses out of the way, it is time to get down to my other gear, or at least the gear that I carry with me. First of all is the flash that I have on loan as well (have you noticed how I have amassed most of my gear through borrowing, loaning and just pure luck? Because going over this, I have!) It is a beautiful Canon Speedlite 580EX which is on loan from my boss at work, and which works particularly wonderfully together with my new studio lighting (another birthday gift that I am looking forward to practicing with). With a tilt range that is practically perfect, it is the ideal on and off camera flash, and is an item that I would love to own for myself one day. For the moment though, I am just happy to get to use it on occasion and keep it in my camera bag until Dianne needs it.

Speaking of my birthday present, part of it is my new Elinchrom EL-Skyport Speed Transmitter which will live in my camera bag from now on rather than in the studio itself. It is what ties the flash to the new lighting system, and ties the new lighting system together overall, and though I have only played around with it so far, it is what is going to bring my studio photography to the next level. I can just tell.

Next up is my Aputure Shutter Release Cable that I bought for myself to try and attempt some astral photography, which I have only gotten around to once since the purchase. But this little device has been used for self-portraits and random odd-jobs that I would never have expected, and is one of the cheaper, but more useful purchases that I have made.

Along with the pieces of equipment, there are one or two other bits and bobs that I store in my camera bag, and this includes 3x memory cards, a second camera battery, a charger (not going to be caught without with that again!), camera and lens covers and, finally, some business cards (which I am also now storing in my wallet and my handbag since being stuck one too many times without them and looking a real fool talking about being a photographer and not having a card to give out.

And that is it! That is the gear that I have on me at all times, and next time I may go into talking about the equipment in my studio, particularly once I have given the new lighting system a real try instead of the playing around that I did on Sunday.

Teasing and Timid

Rudi Gerber and Roxanne Delport

Grahamstown

“Look forward, man! Cross your arms. Don’t look at me, look at her! Now look at me.”

Rudi looks at me as he issues the instruction, a wide smile plastered across his face and a sparkle in his eye. His good mood is infectious, and Roxy takes his teasing in her step as we giggle away in the studio under the hot lights. She seemed nervous when she first arrived at the doorstep for the shoot, quiet and shy as always, but those nerves are gone within the first few minutes as Rudi’s teasing commences. He has that effect on people, and it’s only gotten stronger since he met Roxy.

I still can’t think of Roxy without the words “lady friend” popping into my mind. It was the way that I was first introduced to her, before I met her in person – mentions around the office of a mysterious lady friend and hints that she might end up being more than just a “friend”. From the moment she started being mentioned, I could see a change in Rudi. It wasn’t anything too big or noticeable to begin with – a skip in his step and a goofy grin crossing his face when he thought no one was looking. But as the months passed, the little things stuck around, and the “lady friend” would be slipped into conversations more often. I would often catch him staring at his cellphone, waiting for an SMS or staring at the computer screen waiting for an IM from this as yet unmet friend of his. We all teased him a little for being so smitten, but none of us knew just how right we were.

As they walk hand in hand through the Botanical Gardens, I can’t help but think what a perfect couple they make – loud, teasing, fun Rudi and quiet, shy Roxy bringing out the best in each other. Whenever I have spent time with Roxy without Rudi around, I have been shocked by how reserved she is, maybe a little nervous around new people. But when she is with Rudi, she comes to life and I can see her fun side shining. And with Roxy around, that goofy smile never leaves Rudi’s face.

“Let’s try the bridge,” I suggest, starting off at my usual spot, my go-to for garden portraits. But it doesn’t take long before the three of us are exploring elsewhere, finding spots more suited to the couple that Rudi and Roxy are. They aren’t the kind who likes to pose for the cameras or to put on a smile. Instead, they are comfortable sitting on a bench, climbing onto branches and walking hand in hand. They are most comfortable being together, doing everyday things with each other, and that’s the kind of love that tends to last.

As I watch the two of them walking ahead, I smile to myself and start looking forward to my next session with them, or a couple just like them.

Lightning in the Dark

"Please?"

"No."

"Why not?"

"Because."

"But Cherie got to do it."

"And she gave it up because she had to get up too early."

"I already get up early."

"The answer is no, Lara. And that's final."

The battle was lost, but the war was far from over. I never did get over the fact that I had been denied the right of all children to learn to ride a horse. What it did mean though was that I started to hold a special place for horses in my heart, a place of awe and reverence. Horses to me were always animals to be respected and, at times, feared. Beautiful creatures that I could look at, but not touch. Until Lightning.

"Can I," I ask Kim without taking my eyes off him. His coat is gleaming in the afternoon sunlight, and all I want to do is reach out and touch it, but not knowing how he will react, I am hesitant.

"Of course!" It is as though I have asked if I can breathe. "They need all the attention they can get," Kim announces as she explains that a number of the horses at Grahamstown's paddocks have owners who are not able to come and ride them nearly as often as they would like. 

"Horses are meant to be ridden," she says matter-of-factly. And I can see it in their legs, the muscles bulging, in the flow of their manes that whispers of a will to be running, to be galloping, to be free. Horses are meant to be ridden, not to be cooped up in pens out of the sunlight.

I reach out a hand slowly towards him, half expecting him to buck or to shake his head as though swatting away a pest. But instead, he continues with his meal of as much grass as he can get, and my hand runs over his velvet coat. It is as soft as it looks, softer in fact, and my fingers tingle under the touch.

The weather is refusing to cooperate with us, the sun hiding behind clouds rather than providing the golden light that I had been hoping for. But the clouds set a peaceful mood which suits our needs as we make our way to one of the paddocks.

"Lightning," Kim warns as she sees him head straight for the grass that lines the fence. She leads him instead to the solitary tree in the middle of the field, and here he stands, awaiting instructions, for all of three seconds before making his way back over to the fence.

"He's still young," Kim offers as an explanation. Like a typical teenager, I think to myself. Learning how the world works and marvelling at its every offering.

"Maybe he will be better in the other field," I offer as a suggestion, and we take him next door where there are no trees and less long grass to offer distraction. Just emptiness, with me on the sidelines trying to capture it. 

"Come on, boy," Kim announces with a clap, trying to get him to run. And run he does, straight towards me. I duck instinctively as he passes, and the camera clicks just a second too late every time, impossible to catch his full frame in a single shot as he races past like his namesake. He reaches one side of the paddock and turns to run in the opposite direction. His eyes are wild with joy and confusion at the freedom.

"He's never been told to run before," Kim explains, as her own eyes fill with concern. "He doesn't know what's happening."

As he reaches the fence, he tries to go further and finds himself blocked in at every corner, the only way out is forward and he tries his best to make his way out, running into the fence before scaring himself.

"It's okay", Kim coos, as I stare wide-eyed, not knowing how to react, not knowing what it is that I have done. Her voice calms him almost instantly, and he stops running and lets himself be comforted by her words, her soft touch.

"Good," she says, resting her head on his chest, running her hand down his back. "Is it okay if we head back now," she asks, and I nod happily, not wanting to frighten him any more than I already have.

As we make our way back to the stables, Lightning returns to his normal self, stopping to eat as much grass as he can manage along the way, his stride slowing as his heart rate lowers. Kim walks him back to his stall, and it is back to the darkness, but suddenly the cool of the stall seems more inviting, the pen offering a soothing familiarity. I take one last shot, and I know that it is not going to be perfect, but I love it anyway. I have captured the Lightning in the dark, and it feels right.

Devious and Delightfully Disco

“Do I have to come in?”

“You don’t HAVE to, but I imagine that you will be pretty bored in the car.”

I can see her weighing up the options, clutching her coat tightly around her, and I can see why. With her fiery red curls and her ‘60s style dress and grey stocking, Debbie is looking far too sexy for a trip into Grahamstown’s Pick ‘n’ Pay, particularly on a Wednesday night with nothing else going on. It would be another story entirely if this were Trivarsity, or a weekend, or even just a Thirsty Thursday. But instead, it is a Wednesday night in the middle of the month and there is nothing happening. She joins me despite her misgivings, the neon colours just poking out underneath her black coat, not enough to raise any eyebrows. With the supplies for dinner procured, it is time to head home and let the fun begin.

Once in the safety of the garage, the coat comes off and the colours come to life. Her shyness dissolves under the studio lights, and the real Debbie, the one that I know and love, comes out. With each click of the camera, I can see her becoming more comfortable and, despite her attempts at keeping it serious, her fun side starts showing through. And so we take ourselves back to the disco era as I let the colours pop, knowing that I wouldn’t dare convert any one of these into black and white. Debs turns into a runway model, swinging her hips as she walks, running her hair through her hands and pouting in between giggles and smiles. Disco Debbie takes over, and she is a good icebreaker to say the least. By the first wardrobe change, Debs is back to being herself, her nerves no longer existent, and it’s time for her next role.

With a swish of colour and a swab of wine red lipstick, it’s time for Devious Debbie to strut her stuff. A figure-hugging black dress with a plummeting neckline shows off her figure, and the mood of the photos shifts accordingly. But, as I said, Debbie is a good actress and takes the change in her stride. The outfit highlights another side of Debbie's personality, but it is not one that she is entirely unfamiliar with. Before my eyes, I see her change into the sultry seductress that lurks belong her bubbly exterior. But even with the sexy librarian taking the leading role, I can still see my Debbie with shining through as we laugh and chat and I shoot away. 

And with one final outfit pulled out of the bag, it is Delightful Debbie's turn. A short sleeved Oriental shirt to match her bright hair, a pair of worn jeans and sneakers mean that it's time for Debbie's most natural role, the outfit and the personality that she will wear for the rest of the evening. This time it's all laughter, and Grant comes and pokes his head in the door to see what is going on, not used to me being so loud when I am working. Puddims takes the opportunity to push his way into the spotlight, and Debbie far from objects, taking the chance for a new kind of pose. 

"And," I ask as the night draws to a close, as I turn off the lights and plunge the studio into darkness, hardly reminiscent of the room that we have spent the last hour and a half in.

The smile on Debbie's face says it all.

A Day of Royalty

I can tell as Lwando got into my car that he’s excited.
“Lara,” he announces, his broad smile filling his face and extending to his eyes, “this is Nonkosazana.”
The name flies from his lips naturally, easily. I blink back at him, trying to bring up the courage to attempt the pronunciation myself, and they can see my unease, but rather than taking offense, they giggle to themselves, a shared secret amusement at my English-locked tongue. It reminds me of the giggles that I used to hear in class whenever I spoke Afrikaans in my overly-English, bordering on British, accent.
“But you can call me NK,” she says with a grin, and I smile back, relieved.
“It means Princess,” Lwando informs me, and it strikes me how appropriate that is. She looks like royalty in her cream dress, her hair haphazardly plaited and falling elegantly down her back. Lwando’s princess.

I start driving to our house, and I chit-chat with Lwando in the front about work and life in general, while NK sits in the backseat, silent, taking everything in. We arrive five minutes later, and I walk them through the house, letting them greet Grant as I open the studio, and then leading them into the garden and the garage beyond it. 

I close the door behind them and darkness fills the room, engulfing us in its shadows. I turn on the lights, one at a time, and can feel the heat of them instantly. This will need to be a quick one – hot days are not conducive to long studio sessions. The two of them stand in front of the camera, uncertainly, and I take my place behind it, smiling at them reassuringly before my face is hidden entirely.

And so it starts.
“Look at me.”
“Look at him.”
“Back to back.”
“Change places.”
“Stand up.”
“Sit down.”
“Smile.”
“Kiss.”
I feel like the puppetmaster, pulling on strings as the photos come together perfectly, as I had pictured them in my mind.

After half an hour, I shoot my last studio shot, and turn off the lights. The relief is tangible, flowing from them like sweat.
“How did you find it,” I ask NK nervously. She has been so quiet that I do not know what to think. I don’t know her well enough to tell if this is her personality or if she is uncomfortable. I wait in anticipation, but am not left waiting for long.

"Fun!" She sounds surprised, and I'm taken aback. "I was expectinng it to be so serious!"

I laugh at the thought of a serious photo session.

"What would be the point of that? No one would see your personality!"

With the formalities over, it is time to move our session to the Botanical Gardens for a little more fun. Here, I can tell that both Lwando and NK are in their element. There is no need for direction as NK jumps from bamboo branch to bamboo branch, forgetting about the camera for minutes at a time. This is not acting, not posing, this is who they are, and this is what I love. Soon they are stealing kisses at the fountain, for themselves more than anyone else, their laughter filling the air as I fade into the background.

  

         

 And as the afternoon finishes with a stroll by the river, I realise that I haven't stopped smiling since they first got into the car - Lwando and his princess, a young couple and their closeness.

In the Mug

I have said it before and I will say it again. There is one group of people that have kept my photography alive this year, and that is the Rhodes Chamber Choir. With recitals happening at least once a term, dinners, parties and more, they are my one consistent job here in Grahamstown.

That’s why, when Elethu came to me with a challenge, I was very keen to take it up. The challenge, if I chose to accept it, was going to be an advertising campaign. The theme? Mugshots. The Choir is looking for new members to start next year and will be holding auditions in early 2013. I put together a simple photoshoot to provide flyers for the auditions.

The photoshoot itself was simple enough – five people arrived to have studio shots taken. There was no particular requirement in terms of makeup or anything along those lines and it was just the average, everyday portrait shoot in my studio that I am perfectly used to. The poses were incredibly simplistic, which made giving instructions very easy – look straight at the camera, don’t smile, act crazy, turn to the left, don’t smile, act crazy, etc.

The difficult part came in after the photos had been taken and it was time to edit them to look more like mugshots. Each person had been holding a black notebook in place of a nameboard, and I had to try and make the notebook look less notebook like and more nameboard like. I tried a few methods – from trying to create a nameboard of my own, to Googling nameboards that I could use, and ended up finding that the simplest way was just to use what I already had. With that in mind, I went about trying to make the light a little harsher, the colours pop a little more, the nameboards stand out a little more and the background look more like a height scale as they use in mugshots.

My first step in trying to process the images and make them more mugshot-like was actually to Google it, but I found no helpful resources. If anyone is interested in how it was done, I am willing to put together a short tutorial. Just let me know in the comments, and if there are enough takers, I will write one up!

The end result? I must say, I was impressed with it myself. And, from the look on Elethu’s face, he didn’t think they were too shabby either! It was my first editing intensive job, and I think I pulled it off despite a few panic attacks in the beginning.

What do you think? How did I do?